All That Remains Guitarist Oli Herbert Passes Away

Springfield, Massachusetts based metal outfit All That Remains has posted a statement online, announcing that their guitarist and founding member Oli Herbert, has died suddenly. He was 44 years old. A message from the band reads as follows:

“We were devastated to learn that Oli Herbert, our friend, guitar player, and founding member of All That Remains, has passed away.

“Oli was an incredibly talented guitarist and song writer who defined Rock and Metal from the Northeast. His impact on the genres and our lives will continue indefinitely.

“No further details are available at this time. The band and family request that you please respect their privacy and remember Oli by celebrating the great music he made.”

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Mercyful Fate: ‘In the Shadows’, ‘Return of the Vampire’, ‘Time’ LP re-issues now available via Metal Blade Records

– October 16th, 2018 –

On November 16th, Mercyful Fate will release LP re-issues of the classic albums In the Shadows, Return of the Vampire, and Time via Metal Blade Records. Available as 180g picture discs, these exclusive editions can be purchased now at: indiemerch.com

“You can spiral yourself into darkness with these classic Mercyful Fate albums, or you can exhibit them on your wall like I will. Either way, enjoy.” – King Diamond

Mercyful Fate online:
https://www.facebook.com/mercyfulfateofficial
http://www.kingdiamondcoven.com

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Inaugural Megacruise to feature Megadeth & Anthrax, Testament, Armored Saint & Metal Church

The cruise will depart Los Angeles on October 13th, 2019, and make stops at San Diego, California, and Ensenada, Mexico, before returning to L.A. on October 18th.

Also on board the Norwegian Jewel ship will be Armored Saint, DevilDriver, Doro, Rob Zombie guitarist John 5, Beastö Blancö, Metal Church and the metal mariachi group Metalachi, as revealed on the Megacruise Facebook page.

In addition to performances from the above acts, the cruise will also feature Q&A’s with the artists, music clinics, theme nights, and all the typical luxuries of a cruise, including meals, swimming pools, jacuzzis, casinos and more.

Prices range from $800 to $4899, depending on number of people and type of cabin, with the full list of rates available here. For more information, visit Megacruise.com .

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Mercyful Fate: ‘Don’t Break the Oath’, ‘Melissa’, ‘The Beginning’ LP re-issues now available via Metal Blade Records

– October 12th, 2018 –

Today (October 12th), Mercyful Fate has released LP re-issues of the classic albums Don’t Break the Oath, Melissa, and The Beginning via Metal Blade Records. Available as 180g picture discs, these exclusive editions can be purchased now at: indiemerch.com

“You can spiral yourself into darkness with these classic Mercyful Fate albums, or you can exhibit them on your wall like I will. Either way, enjoy.” – King Diamond

Mercyful Fate online:
https://www.facebook.com/mercyfulfateofficial
http://www.kingdiamondcoven.com

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Behemoth and Kings County Brewers Collective join forces for “Wolf ov Siberia” Double IPA

– October 10th, 2018 –

Behemoth announces NYC and LA art exhibitions for new album, ‘I Loved You At Your Darkest’; ‘I Loved You At Your Darkest’ available now worldwide

Behemoth and Kings County Brewers Collective (Brooklyn, NY) have joined forces for a Double IPA, “Wolf ov Siberia”! From the most blasphemous depths of extreme metal comes a collaboration brew of epic proportions: “Wolf ov Siberia” pours pale gold in the glass, with a light lupulin haze. A blistering blast of bright lemon and crushed lime greets your nose, followed by grapefruit, melon and green pine from a megaload of Citra, Motueka and Centennial hops. Balanced by soft wheat and flaked rye, with a touch of savage bitterness on the finish, it’s fierce, fresh, and dangerously drinkable at a 7.7% ABV. “Wolf ov Siberia” beckons all Behemoth and beer fans – “come all ye wolves ov Siberia, we hail the flame, we hail the ice…”

Tony Bellis (co-founder, Kings County Brewers Collective) comments: “We love brewing a wide variety of different beer styles at KCBC and strive to constantly challenge our drinkers’ taste buds – in the same way that Behemoth has consistently pushed the boundaries of metal into brutal, uncharted territories over the years. Having been long time Behemoth fans, we’re incredibly excited to collaborate with them on this killer Double IPA.”

Behemoth mastermind Nergal adds: Behemoth global domination is still in full effect! After partnering with our friends at Perun to give you a unique craft experience, we thought why just brew beer for the lucky ones in Europe? Kings County Brewers Collective said they could delight the palate of the Americans too! Just in time for our album release October 5th, you’ll be seeing ‘Wolf ov Siberia’ at a bar near you!”

KCBC will host a “Wolf ov Siberia” can release party on October 15th at the KCBC Brewery & Taproom in Brooklyn, followed by a wider release to quality craft beer spots throughout the NYC metro area and beyond. For more information, please visit:

kcbcbeer.com
Twitter: @KCBCbeer
Instagram: @KCBCbeer

“Wolf ov Siberia” will also be available at Behemoth’s upcoming art exhibitions in NYC and LA (“Thou Art Darkest”), for their new album, I Loved You At Your Darkest. See below for more details; to RSVP, head over to: behemoth.pl/thouartdarkest

Released last week worldwide, I Loved You At Your Darkest is a crushing salvo of black metal majesty replete with hellish riffs, thundering drum cannonades and soaring liturgical choirs reminiscent of classic horror cinema. The group’s most dynamic record yet, the album is extreme and radical on one hand, but also more rock-oriented than any other Behemoth release. Produced by the band themselves, with drum co-production by Daniel Bergstrand (Meshuggah, In Flames), mixing by Matt Hyde (Slayer, Children Of Bodom) mastering by Tom Baker (Nine Inch Nails, Marilyn Manson), and a 17-piece Polish orchestra arranged by Jan Stoklosa, I Loved You At Your Darkest can be previewed and purchased now at: behemoth.lnk.to/ILYAYD

Behemoth will be touring the USA in support of I Loved You At Your Darkest this October/November, by headlining the “Ecclesia Diabolica America 2018 e.v.” trek, featuring special guests At the Gates and Wolves in the Throne Room. This must-see show will also make its way to Europe in January/February 2019. See below for all dates! Tickets can be purchased at: behemoth.pl

Behemoth “Ecclesia Diabolica America 2018 e.v.” tour dates
w/ At the Gates, Wolves in the Throne Room

Oct. 20 – Phoenix, AZ – Van Buren
Oct. 22 – Dallas, TX – House of Blues
Oct. 23 – San Antonio, TX – The Aztec Theatre
Oct. 24 – Houston, TX – House of Blues
Oct. 26 – Atlanta, GA – Masquerade
Oct. 27 – Tampa, FL – Jannus Landing
Oct. 29 – Charlotte, NC – The Underground
Oct. 30 – Philadelphia, PA – The Fillmore
Nov. 1 – Boston, MA – House of Blues
Nov. 2 – Silver Spring, MD – The Fillmore
Nov. 3 – New York, NY – Playstation Theater
Nov. 4 – Montreal, QC – M-Telus
Nov. 6 – Toronto, ON – The Danforth Music Hall
Nov. 7 – Detroit, MI – St. Andrews Hall
Nov. 9 – Chicago, IL – House of Blues
Nov. 10 – Minneapolis, MN – Cabooze
Nov. 11 – Kansas City, MO – The Truman
Nov. 13 – Denver, CO – The Ogden Theatre
Nov. 14 – Salt Lake City, UT – The Depot
Nov. 16 – Calgary, AB – MacEwan Ballroom
Nov. 17 – Edmonton, AB – Union Hall
Nov. 19 – Vancouver, BC – The Commodore Ballroom
Nov. 20 – Seattle, WA – Showbox Market
Nov. 21 – Portland, OR – Crystal Ballroom
Nov. 23 – San Francisco, CA – The Regency Ballroom
Nov. 24 – Los Angeles, CA – The Wiltern Theatre

Behemoth “Ecclesia Diabolica Evropa 2019 e.v.” tour dates
w/ At the Gates, Wolves in the Throne Room

Jan. 10 – Frankfurt, Germany – Batschkapp
Jan. 11 – Munich, Germany – Tonhalle
Jan. 12 – Prague, Czech Republic – Forum Karlin
Jan. 13 – Vienna, Austria – Arena
Jan. 15 – Zurich, Switzerland – Komplex 457
Jan. 16 – Milano, Italy – Alcatraz
Jan. 17 – Lyon, France – Le Transbordeur
Jan. 18 – Barcelona, Spain – Razzmatazz
Jan. 19 – Madrid, Spain – La Riviera
Jan. 21 – Toulouse, France – Le Bikini
Jan. 22 – Paris, France – Bataclan
Jan. 23 – Oberhausen, Germany – Turbinenhalle
Jan. 24 – Berlin, Germany – Huxleys
Jan. 25 – Copenhagen, Denmark – Vega
Jan. 26 – Stockholm, Sweden – Annexet
Jan. 27 – Oslo, Norway – Rockefeller
Jan. 29 – Helsinki, Finland – The Circus
Jan. 30 – Tampere, Finland – Pakkahuone
Feb. 1 – Hamburg, Germany – Grosse Freiheit 36
Feb. 2 – Utrecht, Netherlands – TivoliVredenburg
Feb. 3 – Brussels, Belgium – Ancienne Belgique
Feb. 4 – Esch-sur-Alzette, Luxembourg – Rockhal
Feb. 6 – Bristol, UK – Marble Factory
Feb. 7 – Birmingham, UK – O2 Institute
Feb. 8 – London, UK – O2 Forum Kentish Town
Feb. 9 – Manchester, UK – O2 Ritz
Feb. 10 – Dublin, Ireland – Vicar Street
Feb. 11 – Glasgow, UK – QM Union

Behemoth line-up:
Nergal – vocals & guitars
Orion – bass & vocals
Inferno – drums & percussion

Behemoth online:
http://www.behemoth.pl
http://www.facebook.com/behemoth
http://instagram.com/behemothofficial
http://www.nuclearblast.de/behemoth
http://www.metalblade.com/behemoth

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Funeral Chic Premiere New Song “Jump” From Upcoming New Album “Superstition”

North Carolina blackened hardcore and crust act Funeral Chic premiere a new song entitled “Jump”, taken from their upcoming new album “Superstition”, which will be made available November 16 through Prosthetic.

Check out now “Jump” below.

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Shezmu Premiere Pre-Release Full-Album Stream Of Upcoming New Album “Breaching the Tomb”

Shezmu premiere the pre-release full-album stream of the band’s upcoming new album “Breaching the Tomb”, which will be made available digitally, on CD from Iron Bonehead, and on 12” vinyl from Les Fleurs du Mal on October 12th.

Check out now “Breaching the Tomb” in its entirety below.

Breaching the Tomb by Shezmu

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The Ocean Collective debuts 2nd single ‘Devonian: Nascent’ featuring Jonas Renkse of Katatonia!

– October 2nd, 2018 –

On the heels of their massive, sprawling ‘Permian,’ The Ocean Collective is unleashing another piece of their highly anticipated upcoming album: ‘Devonian: Nascent’ makes its debut today at: consequenceofsound.net

Proving again why they are one of the most respected groups in the contemporary prog-metal world, ‘Devonian’ takes a completely different turn than their previous single, in part due to the vocals of Jonas Renkse, of Swedish metal giants Katatonia. The collaboration has long been in the making, explains Renkse: “Robin approached me for a guest spot already in 2005, and I really wanted to be part, but at that time we were in the studio ourselves recording ‘The Great Cold Distance’ so I felt I had too much on my mind. We have met after that and talked a little about doing something and now it finally happened. ‘Devonian: Nascent’ became a mammoth track without ever losing its initial melancholy.

Adds THE OCEAN mastermind, Robin Staps, “We sent Jonas the track, and what we got back as a “demo” was almost identical with what ended up as the final version on the record. Jonas has a perfect and intuitive understanding of our music, there was no need to explain anything. He came up with his own vocal parts and lyrics, and everything just fit perfectly from the start. Katatonia’s ‘The Great Cold Distance’ was an important album for me and for The Ocean, it was one of the first albums where heavy, low-tuned guitars and clean vocals next to one another were actually working out for me, personally. It was an album that made me reconsider my opinion about clean vocals in metal, and that forged my own desire to look for a vocalist for The Ocean who could also deliver cleans.

Ebbs and flows of proggy melodies, crushing guitars, swelling strings and powerful vocals match the heavy lyrical themes The Ocean Collective has made its signature. ‘Phanerozoic I‘ is now available for pre-order, along with meticulously designed merch bundles, something for which they’ve become known, and will be released November 2nd via Metal Blade Records (CD / digital) and the band’s own Pelagic Records (vinyl). Pre-order now via Metal Blade Records: metalblade.com/theocean

More on The Ocean Collective:

Since 2001, the Berlin-based musician collective The Ocean Collective have released 7 critically acclaimed studio albums, and a split EP with Japanese post-rock legends Mono. With an ever-changing lineup of various on- and off-stage musicians and visual artists, the relentlessly touring group have become well known for their immense, mind-expanding live shows, which they have carried into the most remote corners of the globe, from Siberian squats to colonial theatres in Ecuador.

Over the course of their storied career, The Ocean Collective have toured with Opeth, Mastodon, Mono, The Dillinger Escape Plan, Anathema, Between The Buried And Me and Devin Townsend, and have appeared on major festivals including Roskilde, Dour, Pukkelpop, Roadburn, Wacken, With Full Force, Summer Slaughter, Summer Breeze and Graspop. The band’s own Pelagic Records has also become one of Europe’s leading labels for post-rock and post-metal, with a catalog of 120 releases since 2009.

After 5 years of touring on Pelagial, the band started recording their 8th studio album in February 2018, split into two volumes to be separately released in 2018 and 2020 respectively, titled Phanerozoic. The Phanerozoic eon succeeded the Precambrian supereon, spanning a 500 million-year period leading to the present day, and it has witnessed the evolution and diversification of plant and animal life on Earth, and the partial destruction of it during 5 mass extinction events. Conceptually and musically, The Ocean Collective‘s Phanerozoic is the missing link between the albums Precambrian and Heliocentric / Anthropocentric.

Guitarist and primary songwriter Robin Staps penned Phanerozoic as he did its predecessors, in seclusion in a house by the ocean. The first volume of the double album Phanerozoic is made up of bleak and heavy songs, boiled down to the essential core of the musical ideas driving them. With analog synths merging with the heavy guitars, the addition of Peter Voigtmann to the band’s ranks has made a marked difference. After years of handling the spectacular lighting design at The Ocean Collective‘s live shows, essentially “playing drums on the lighting console every night” as Staps puts it, he now brings a bevy of angry, dystopian sounds to the songs. Phanerozoic also marks the recording debut of bassist Mattias Hagerstrand and drummer Paul Seidel, who both bring their own style and approach to their respective instruments.

As with all of The Ocean Collective‘s releases, the music is only one piece of the puzzle. The collective has always been known for lyrics that are poignant and thought-provoking, and Phanerozoic is no exception. The central idea upon which the lyrics are premised is that of ‘eternal recurrence’, “Nietzsche’s concept that everything happens over and over again, an infinite amount of times throughout infinite time and space“, Staps explains. “When you look at Earth’s history you find a lot of evidence for this: continents have collided and drifted apart across the oceans and collided again, life nearly disappeared various times but then resurged again… this album is essentially about time, perception of time, and repetition. It is about coming to terms with the fact that there are things in life which will recur and which we cannot change and finding ways of dealing with that“.

The immediacy of Phanerozoic can be attributed to the band working out every detail and testing every song live in the rehearsal room prior to heading into the studio, a different approach as compared to their previous releases. The process of laying down tracks began in Iceland, with the drums being tracked at Sigur Ros’ own Sundlaugin Studios with long-time friend and producer Julien Fehlmann. A big drum room with great natural reverb located in a bleak and beautiful place surrounded by nature provided the perfect location for the initiation of this record.

The remainder of the album was tracked in Berlin. A brass section was recorded, and previous collaborators Vincent Membrez (piano) and longtime live cellist Dalai Theofilopoulou are featured. Katatonia vocalist Jonas Renkse delivers a stunning performance on the 11 minute track “Devonian”. However, this is very much vocalist Loic Rossetti’s album. Staps and Rossetti worked extensively, trying out a variety of styles and focusing on finding the best possible approach for each song. “Loic screaming over a heavy part always works great, but our goal was to avoid always going the obvious route this time“, Staps explains. The result is an album which gains its heaviness not from the surface but from below, not so much from the vocals, but from the underlying riffage, bass and drumming.

It was a conscious decision not to let this fondness of experimenting stretch to the choice of the team working on the album: Julien Fehlmann tracked drums, Jens Bogren (Katatonia, Opeth) handled mixing and mastering duties, and Norwegian artist Martin Kvamme, whose only clients are Mike Patton and The Ocean Collective, was once more in charge of the mind-blowing artwork, making this his 5th consecutive collaboration with the collective. “There’s no reason to change a perfectly working formula“, Staps comments. “When Jens played us the basic sound of the record, Loic and I looked at each other and our jaws dropped. It sounded SO FUCKING HEAVY that for a moment we were thinking about what we could potentially do to make it sound a bit more human and a bit less perfect… but we eventually learned to accept that Jens had simply done an outstanding job“.

Each of The Ocean Collective‘s releases has proven a profoundly immersive experience, with an unrivalled attention to detail – something which becomes particularly apparent in the award-winning packaging: for the lavish acrylic boxset that came with 2013′s Pelagial, over 10.000 acrylic layers were individually silk-screen printed and manually assembled. That which accompanied 2010′s double album Heliocentric / Anthropocentric was particularly unique, its gatefold sleeve featuring rotating gold-foiled PVC dials screwed on top of it. Phanerozoic will not fall short of its predecessors: Phanerozoic will come in a trifold (LP) / digipak (CD) with die cuts through multiple layers, creating a 3D effect; topped off by metallic inks and a blind embossing emulating a rock structure.


Phanerozoic I: Palaeozoic:
1. The Cambrian Explosion
2. Cambrian II: Eternal Recurrence
3. Ordovicium: The Glaciation of Gondwana
4. Silurian: Age of Sea Scorpions
5. Devonian: Nascent
6. The Carboniferous Rainforest Collapse
7. Permian: The Great Dying

https://www.facebook.com/theoceancollective
https://twitter.com/OceanCollective
https://www.instagram.com/theoceancollective

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Vanhelgd Premiere New Song “Profaned is the Blood of the Covenant” From Upcoming New Album “Deimos Sanktuarium”

Swedish wretchlords VANHELGD have launched a stream for “Profaned is the Blood of the Covenant,” taken off the band’s forthcoming fifth full-length album, Deimos Sanktuarium.

Stream “Profaned is the Blood of the Covenant” now below:

Deimos Sanktuarium features seven tracks of crushing, yet cold OSDM. The album will be out October 12 on LP, CD and digital formats through Dark Descent Records (North America). The album will be available in Europe through Pulverised Records.

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Behemoth launches video for new single, “Bartzabel”

– October 1st, 2018 –

“It doesn’t get more blasphemous than this,” declares Behemoth mastermind Nergal, about the band’s upcoming album, I Loved You At Your Darkest – due out October 5th via Metal Blade Records (North America) / Nuclear Blast (Europe). While it certainly seems an unlikely title for a black metal band, its origin might surprise fans even more than the words themselves. “It’s a verse from the Bible,” Nergal reveals. “It’s actually a quote from Jesus Christ himself. For Behemoth to use it as the basis of our record, it’s sacrilege to the extreme.”

A crushing salvo of black metal majesty replete with hellish riffs, thundering drum cannonades and soaring liturgical choirs reminiscent of classic horror cinema, I Loved You At Your Darkest is the group’s most dynamic record yet: extreme and radical on one hand, but also more rock-oriented than any other Behemoth release. Produced by the band themselves, with drum co-production by Daniel Bergstrand (Meshuggah, In Flames), mixing by Matt Hyde (Slayer, Children Of Bodom) mastering by Tom Baker (Nine Inch Nails, Marilyn Manson), and a 17-piece Polish orchestra arranged by Jan Stoklosa, I Loved You At Your Darkest can be pre-ordered now at: metalblade.com/behemoth – where the video for the new single, “Bartzabel” (directed by Grupa 13 / grupa13.com), can also be viewed. The following formats are available in the USA, along with an exclusive t-shirt:


–jewelcase CD
–digibook CD (hardcover digibook, 40 page booklet)
–baltic amber vinyl (limited to 600 copies)
–opaque white w/ gold splatter vinyl (Metal Blade Records exclusive – limited to 300 copies)
–black / gold split vinyl (Metal Blade Records exclusive – limited to 300 copies)
–clear w/ smoky black swirl (Nuclear Blast US exclusive – limited to 300 copies)
–clear w/ grey inside (Kings Road exclusive – limited to 500 copies)
–”God = Dog” 7″ picture disc (Metal Blade Records exclusive – limited to 666 copies)

Nergal comments: “‘Bartzabel’ is a song that came in the midst of a Behemoth rehearsal…We had no structure, no vision – but piece by piece, it came to be, and we were extremely excited by the result. To us, it’s the eye of the ‘ILYAYD‘ storm: sonically calmer and slower than anything else on the record, but definitely one of the darkest!

Lyrically, we (myself and Krzysztof Azarewicz) were inspired by Aleister Crowley’s conjuration of the Spirit of Mars – which the video, by our trusted friends in Grupa 13, depicts beautifully…I may even go as far to say that it’s my favourite Behemoth video of all time! I hope you all enjoy it, and we look forward to ‘ILYAYD”s launch this Friday!”

To watch the video for the first single, “God = Dog” (directed by Grupa 13 / http://www.grupa13.com), head over to: youtu.be/iI2y_mi7jDI. The video for the second single, “Wolves Ov Siberia” (directed by Kyle Kadow and Steven Cleavland), can be seen at: youtu.be/g7yxjTcM7Bs

I Loved You at Your Darkest track-listing
1. Solve
2. Wolves ov Siberia
3. God = Dog
4. Ecclesia Diabolica Catholica
5. Bartzabel
6. If Crucifixion Was Not Enough…
7. Angelvs XIII
8. Sabbath Mater
9. Havohej Pantocrator
10. Rom 5:8
11. We Are the Next 1000 Years
12. Coagvla

This October/November, Behemoth will hit the road across North America to headline the “Ecclesia Diabolica America 2018 e.v.” tour, featuring special guests At the Gates and Wolves in the Throne Room. This must-see show will also make its way to Europe in January/February 2019. See below for all dates!

Behemoth “Ecclesia Diabolica America 2018 e.v.” tour dates
w/ At the Gates, Wolves in the Throne Room

Oct. 20 – Phoenix, AZ – Van Buren
Oct. 22 – Dallas, TX – House of Blues
Oct. 23 – San Antonio, TX – The Aztec Theatre
Oct. 24 – Houston, TX – House of Blues
Oct. 26 – Atlanta, GA – Masquerade
Oct. 27 – Tampa, FL – Jannus Landing
Oct. 29 – Charlotte, NC – The Underground
Oct. 30 – Philadelphia, PA – The Fillmore
Nov. 1 – Boston, MA – House of Blues
Nov. 2 – Silver Spring, MD – The Fillmore
Nov. 3 – New York, NY – Playstation Theater
Nov. 4 – Montreal, QC – M-Telus
Nov. 6 – Toronto, ON – The Danforth Music Hall
Nov. 7 – Detroit, MI – St. Andrews Hall
Nov. 9 – Chicago, IL – House of Blues
Nov. 10 – Minneapolis, MN – Cabooze
Nov. 11 – Kansas City, MO – The Truman
Nov. 13 – Denver, CO – The Ogden Theatre
Nov. 14 – Salt Lake City, UT – The Depot
Nov. 16 – Calgary, AB – MacEwan Ballroom
Nov. 17 – Edmonton, AB – Union Hall
Nov. 19 – Vancouver, BC – The Commodore Ballroom
Nov. 20 – Seattle, WA – Showbox Market
Nov. 21 – Portland, OR – Crystal Ballroom
Nov. 23 – San Francisco, CA – The Regency Ballroom
Nov. 24 – Los Angeles, CA – The Wiltern Theatre

Behemoth “Ecclesia Diabolica Evropa 2019 e.v.” tour dates
w/ At the Gates, Wolves in the Throne Room

Jan. 10 – Frankfurt, Germany – Batschkapp
Jan. 11 – Munich, Germany – Tonhalle
Jan. 12 – Prague, Czech Republic – Forum Karlin
Jan. 13 – Vienna, Austria – Arena
Jan. 15 – Zurich, Switzerland – Komplex 457
Jan. 16 – Milano, Italy – Alcatraz
Jan. 17 – Lyon, France – Le Transbordeur
Jan. 18 – Barcelona, Spain – Razzmatazz
Jan. 19 – Madrid, Spain – La Riviera
Jan. 21 – Toulouse, France – Le Bikini
Jan. 22 – Paris, France – Bataclan
Jan. 23 – Oberhausen, Germany – Turbinenhalle
Jan. 24 – Berlin, Germany – Huxleys
Jan. 25 – Copenhagen, Denmark – Vega
Jan. 26 – Stockholm, Sweden – Annexet
Jan. 27 – Oslo, Norway – Rockefeller
Jan. 29 – Helsinki, Finland – The Circus
Jan. 30 – Tampere, Finland – Pakkahuone
Feb. 1 – Hamburg, Germany – Grosse Freiheit 36
Feb. 2 – Utrecht, Netherlands – TivoliVredenburg
Feb. 3 – Brussels, Belgium – Ancienne Belgique
Feb. 4 – Esch-sur-Alzette, Luxembourg – Rockhal
Feb. 6 – Bristol, UK – Motion
Feb. 7 – Birmingham, UK – O2 Institute
Feb. 8 – London, UK – O2 Forum Kentish Town
Feb. 9 – Manchester, UK – O2 Ritz
Feb. 10 – Dublin, Ireland – Vicar Street
Feb. 11 – Glasgow, UK – QM Union

Behemoth line-up:
Nergal – vocals & guitars
Orion – bass & vocals
Inferno – drums & percussion

Behemoth online:
http://www.behemoth.pl
http://www.facebook.com/behemoth
http://instagram.com/behemothofficial
http://www.nuclearblast.de/behemoth
http://www.metalblade.com/behemoth

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